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Art Production |
Julieta
Aranda |
"tomorrow" Biennale, Venice, 2011 Production Materials: Styrofoam, plaster, varnish |
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If you tell the story well, it will not have been a comedy Kunstverein Arnsberg, 2010 Planning and Production of flourescent sandclock and sandclock holder Materials: Steel, cables, controll unit |
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| Photos: Kunstverein Arnsberg | |||||||||||||||||||||||||||
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Partially untitled (tell me if I am wrong): Clock Guggenheim Museum, New York , 2009.
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| Photo: Guggenheim Museum, New York | |||||||||||||||||||||||||||
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Partially untitled (tell me if I am wrong) Guggenheim Museum, New York , 2009. Camera obscura (wood, paint, and translucent screen), hourglass, Lexan, rotating mechanism, and light source, dimensions variable. Planning, production |
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| Photo: Julieta Arranda | |||||||||||||||||||||||||||
| Photo: Saygel & Schreiber | |||||||||||||||||||||||||||
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PUBLICK OCCURRENCES BOTH FORREIGN AND DOMESTICK Galerie Michael Janssen, Berlin, 2008 Planning, production |
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| Photo: Gallery Michael Janssen | |||||||||||||||||||||||||||
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The Future As Disruption The Kitchen, New York, 2008 Planning, Production |
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| Photo: Kitchen, New York | |||||||||||||||||||||||||||
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Present Future Gallery Michael Janssen, Artissima Turin, 2007 Planning, production Materials: Wood, Steel, Acrylic Glass, Dust, controll unit, Air and Filter System |
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| back to page top | Photo: Gallery Michael Janssen | ||||||||||||||||||||||||||